Psylocke is cordially invited!
Monday, December 30, 2013
Saturday, December 21, 2013
Friday, December 20, 2013
Spoilers: Typhoid Mary breaks into the Jean Grey School. Psylocke chases her after Mary retrives a box containing all data and files on Karima and Shogo and a live sample of Arkea. Rachel calls Sublime to warn him about the Arkea situation. Sublime plays dumb, but he's actually in Colombia, facing Deathstrike. Sublime attempts to make Deathstrike realize how dangerous Arkea really is, but it's useless. She's inclined to use Areak to further her own plans. Mary arrives and hands the live sample to Deathstrike. Sublime is surprised to learn that the sample is inert, realizing that there's a way to kill Arkea. Mary uses her powers on Sublime and finds out about four other locations where they cand find samples of Arkea. Mary and Deathstrike leave in pursuit of the other samples. Psylocke gets to Sublime and takes him back to the school. Meanwhile, Deathstrike and Mary heads to Norway where a meteror has struck two months earlier. They accidentelly meet the Enchantress who's been exiled and stripped of her powers by Thor. At the school, Monet interrupts Jubilee and Bling's chat, asking Jubileee to tag along on a mission. Back at Norway, Deathstrike finds the meteorite with Arkea's sample. She promises to give Mary and Enchantress whaterever they desire if they help her gather the other samples. A new Sisterhood is born.
Wednesday, December 18, 2013
Spoilers: At the Underworld, Psylocke creates a psychic bubble to protect Puck and herself from the revenants. Betsy tries to contact the Demon Bear, but it's still under Cassandra's control. The Great Corruptions is almost complete, while revenants are running wild in LA. Outside the Observatory, Spiral teleports Bishop to the rock giang. Bishop hits it with revenant evenom, shattering it into pieces. Storm takes the chance to enter the Observatory, where she strikes the Demon Bear with lightning, breaking Cassandra's hold on it. Psylocke manages to contact the Bear, who comes to her and Puck's rescue. Bishop faces Cassandra, who locks him in his black bug room. Cassandra reminds him of Hope Summers and how Storm erased his memories. Spiral takes the chance to strike Cassandra with evenom, which prompts her to leave Ginny's body. Spiral takes Ginny and teleports out. Cassandra takes over Psylocke's revenant's body. The real Psylocke and Puck return. Spiral teleports back just in time to save Psylocke from Cassandra's attack. Psylocke then stabs Cassandra to death. The Great Corruption has ended. Betsy says she has made it 20 days without killing. The Demon Bear ends up trapped in the Underworld, while X-Force reunite. Bishop is not happy with Storm.
Friday, December 13, 2013
Writer: Sam Humphries
Art by: Phil Briones
Cover by: Ramon Perez
• THE GREAT CORRUPTION reaches its conclusion!
• One of the X-Men’s greatest foes is rampaging through Los Angeles in the guise of the Revenant Queen. What sacrifice will one member of Uncanny X-Force make to stop her and her army?
Thursday, December 12, 2013
X-Men #8Writer: Brian Wood
Art & Cover by: Terry Dodson
• Lady Deathstrike is building an all-new empire and the X-Men will be her calling card!
• Without her tech, Karima struggles to remember who she was.
• And introducing… Monet!
X-Force #2Writer: Simon Spurrier
Art & Cover by: Rock-He Kim
Variant Cover by: Adi Granov
• Cable. Psylocke. Fantomex. Marrow. They are mutantkind’s protectors, spies, assassins and torturers!
• But just what has driven each of them to join the most deadly incarnation of X-FORCE yet? Yes, Marrow is back! • But how has she regained her mutant powers and what does it have to do with X-Force’s first target?
Writer: Brian Wood
Art by: Kris Anka
Cover by: Terry Dodson
Variant Cover by: J.G. Jones
Conclusion to GHOSTS
• The Sisterhood is fully formed, and the battle for leadership begins!
• The X-Men must choose…take down the Arkea Sentinels or go after the Sisterhood.
Wednesday, December 11, 2013
Newsarama spoke with Brian Wood shortly after X-Men #7 was released, talking about future plans for the book and his thoughts on this newly recruited Sisterhood.
Newsarama: X-Men kicked off a new arc last month with #7’s “Muertas,” featuring the return of a dead villain as well as a X-Men alum. First off, Lady Deathstrike – what drew you to her?
Brian Wood: Sort of a process of elimination mixed with some personal interest. We needed a villain, a big one, and I wanted it to be someone who could be a constant presence in the book, not just for an arc. But like a villain in the old school sense, that reappears frequently. I ran down a list of potentials that I thought seemed cool, editorial did checking on their end, and we ended up with a new Sisterhood with Lady Deathstrike at the helm.
Nrama: And I have to ask about this great way to bring about the return of a character thought dead – being hosted in another body by way of a seemingly digital download of her consciousness. Writing superhero comics I’m sure the issue of bringing back “dead” characters is one you have to deal with more often than in other forms of fiction, so can you talk about this way to re-introduce her – and do it with this new Columbian, almost Dia De Los Muertos design?
Wood: Yeah, there's always lot of dead characters and, weirdly, an awful lot of disembodied consciousnesses. In the case of Lady Deathstrike, she needed a new body to inhabit and I wanted to switch it up and give her a new look, not just a copy of what she was before. It's safe to say, without spoiling anything, that this can come to no good, this notion of two personalities in the same body, so no one is going to assume this is a permanent change. But it’s what's going on right now. The Day Of The Dead look I've loved ever since Fiona Staples did that amazing cover for DV8 #2, and I guess its stuck in my head since then.
Nrama: Another return in this issue is Monet. We talked about her briefly before, but seeing you now writing her in this issue and she leaps off the page. How do you view her as a character, and what are you aiming for when you write her?
Wood: A few things.... I find it a big challenge to write these "perfect" characters, in the sense of these perfectly powered, perfect looking superheroes. Where do you find the faults, or how do you threaten them? And how do they handle failure? It's also going to be fun to write some Monet vs. Jubilee moments. I can only imagine the despair Jubilee feels seeing Monet breeze through those doors. High school all over again.
Nrama: I wanted to ask about that – you wrote both of them inGeneration X, and they have a bit of history. How would you describe what’s going on between them?
Wood: I'm build it up over time, but at the start its sort of a revisit of the old Gen X sass, the snarky comments back and forth, a sort of rivalry of peers. But Jubilee's changed [Newsarama Note: She’s now a mother via adoption – oh, and a Vampire with no mutant powers], as has Monet [Newsarama Note: She died, and was brought back to life by Strong Guy, who himself undead (and soulless) became a Hell king in order to do the deed], so we'll evolve their relationship as the two start to see each other as who they are now. No longer just students, but serious operators worthy of each other's respect. (Also, sass.)
Nrama: The returning Lady Deathstrike originally came to the Jean Grey School to get Karima, but she soon discovers something even more alluring – Arkea. Can you say what she wants out of it?
Wood: I'm enjoying writing Lady Deathstrike as a body modification junkie. I guess she always was, but I'm speaking plainly about it... she has this new body and wants to jack it up as much as she can, to try and regain her former edge and the feeling she's used to. What is Arkea if not the absolute very ultimate in body mod upgrades? She's so into it that she'll brush off the warning signs.
Nrama: And to help her in this new quest, the final page reveal shows she’s recruited another storied Marvel villainess – Typhoid Mary. Typhoid Mary’s almost exclusively known for her Daredevil stories, so what led to her being brought in here?
Wood: In the 90's one of the first comics I bought was this John Van Fleet Typhoid Mary series, and it was great, the images have really stuck with me.
Nrama: That was in 1995, Typhoid written by Ann Nocenti and drawn by Van Fleet.
Wood: Right. And I could see some benefit to looking for villains outside the typical pool that is drawn from. Of course, she's a mutant, so it all makes sense.
Nrama: And this Sisterhood is more than just a duo; from the advance solicits we know another member being added, the Asgardian Enchantress, Amora. What can you say about her inclusion?
Wood: Pretty much the same as with Mary, looking for new villains and new threats to bring to X-Men. I am terminally jealous of any writer that gets to write the Norse stuff, so I was personally eager to tap into it here. Coming up in a future issue we have a fight scene between Amora and Monet, which is a pretty intense clash.
Nrama: This issue says “Muertas” is a six part arc, but that’s now split in half with X-Men #10 starting a new arc titled “Dead.” Was this decision based just on the artist change from Terry Dodson to Kris Anka, or something else?
Wood: The second arc is called “Ghosts.” It’s a bit of everything, really... the artist was changing, and #10 fits in well with a big “All-New Marvel NOW” push. But despite that, these two arcs still form a whole, the story is continued from one to the other in a way that's pretty seamless.
Nrama: I want to step back and talk big picture. Looking over your work at Marvel, I’ve noticed that you’ve exclusively worked on the X titles; from Generation X back in the day to your current run with X-Men. Is that more your instigation, or what Marvel’s offered you? What’s your fascination with the X-Men side of the Marvel U?
Wood: When I approached Marvel following my DC expulsion, the X-Men office is where it seemed like I would feel most at home, I guess having worked there in the past. I was pretty happy with that, and to be honest is the part of the Marvel U that I know the best. I also like Thor, and Daredevil, so maybe in the future I'll venture out. But for now I'm 100% content with the X-Men. I hope to write them for a really long time.