AiPT!: From Sunfire and Firestar to Thunderbird and Captain Britain, everybody’s getting time to shine in a scrolling format. So, it was only fair that X-Fans got to check in with
Steve Orlando and
Steve Foxe — along with
Phillip Sevy, the artist on several of
X-Men Unlimited‘s chapters — and ask about Rictor, Shatterstar, and other fan-favorites.
AIPT: Betsy Braddock came out swinging in X-Men Unlimited with a voice that’s more certain and powerful than we’ve seen recently. Would you say all the events happening in the U.K. and the world have brought out the “gives no *****” Betts? And how much fun is writing her this way?
Orlando: I definitely think the events in the U.K. and the world, in general, have put Betsy in an imperative position. But it’s been a blast to watch her flex her power and agency. And as a special note, it’s been an asset having some fellow X-Writers on speed dial to ensure Betsy’s British lingo is as on-point as possible.
Foxe: I think our Betsy follows pretty closely on the heels of the transformative work Tini Howard did on the character across Excalibur, Knights of X, and Betsy Braddock: Captain Britain. Betsy, in whatever form, has been a nuanced and quite spicy character for decades, and Tini helped establish Betsy as a leading lady for a new era. Fall of X pushed a lot of characters to their limits, and Betsy – who not only has responsibilities toward mutantkind, but to the United Kingdom as a symbolic crusader – really got a raw deal trying to tolerate the antics of Orchis and the British government. She’s been enormous fun to write and a huge asset to the cast dynamic.
AIPT: Phil, I’ve loved your rendition of Betsy Braddock. Not only has that helmet never looked cooler, but I feel like every time we see her, she’s accompanied by crackling psychic energy (whether around her head, fist, or sword.) What do you love about illustrating Betsy?
Sevy: I’ve tried to use the helmet in a way that illustrates her power. When her helmet is off, she’s Betsy and she’s a bit more vulnerable. She’s showing you her face and what she looks like. I draw her a bit more feminine in those scenes. When her helmet is on, it’s go time. I use that as a reason to draw her more aggressive and masculine. She’s in battle and at war.
As a character, I very much connect with how Betsy’s identity is internal, and her external representation isn’t always reflective of who she is — so trying to show different sides of her (feminine, masculine, soft, aggressive, etc.) in how I depict her is the fun challenge. And also, I came into X-Men with the Jim Lee Psylocke design — so it was psychic knives and all that. So when I got a chance to draw her impaling Absalom’s head with her dagger, I was like “9-year-old me is SO happy right now.”
AIPT: Phil, you’re drawing so many different characters throughout this X-Men Unlimited arc. As an artist, is that an exciting challenge? An intimidating one?
Sevy: With this book, since there are so many characters that come at you so fast, I haven’t had as much time — but there are basic shortcuts that you can use to capture a character. Thunderbird — big guy, cocky, aggressive. Shatterstar — lithe, flirty, agile. Betsy — powerful, annoyed, a presence. Etc. Keeping costume details correct when you’re drawing a gaggle of characters can be really hard. Thankfully I have a giant reference folder I have open constantly.