Showing posts with label Jonathan Hickman. Show all posts
Showing posts with label Jonathan Hickman. Show all posts

Tuesday, August 17, 2021

Hickman Leaving the X-Men, X-Books to Relaunch in January

EW: X-Men comic fans have been fearing this day, but alas, it has arrived. EW can confirm that Jonathan Hickman, the writer behind the celebrated 2019 comics House of X and Powers of X (illustrated by Pepe Larraz and R.B. Silva) that relaunched Marvel's mutants with a radical new status quo, will be departing the X-Men line after his upcoming Inferno series wraps up.

"Oh, plans have changed entirely," Hickman says. "When I pitched the X-Men story I wanted to do, I pitched a very big, very broad, three-act, three-event narrative, the first of which was House of X. And while this loosely worked as a three-year plan, I told Marvel upfront that I honestly had no idea how long the first part would last because there were a lot of interesting ideas that I had seeded that other creators would want to play with, and so, we left this rather open-ended. I was also pretty clear with all the writers that came into the office what the initial, three-act plan was so no one would be surprised when it was time for the line to pivot."

Hickman continues, "However, I also knew that I was cooking with dynamite, and it was very possible that what I had written in House of X, and the ideas contained within, was not actually the first act of a three-act story, but something that resonated more deeply and worked more like Giant-Size X-Men, where it would represent a paradigm shift in the entire X-Men line for a prolonged period of time. So, during the pandemic, when the time came for me to start pointing things toward writing the second-act event, I asked everyone if they were ready for me to do that, and to a man, everyone wanted to stay in the first act. It was really interesting, because I appreciated that House of X resonated with them to the extent that they didn't want it to end, but the reality was that I knew I would be leaving the line early."

"Marvel doesn't really pay me to just write ongoing monthly books, there's an expectation for me to write bigger books that have a wider reach than that," Hickman tells EW. "In an effort to facilitate both things, we've all spent the last six months or so reorienting the line, me creating Inferno to assist with that, and then bringing in some new writers to add to the existing team, and then plan for the next several years of X-books. So after Inferno, I'll be leaving to go work on my 'Next Big Marvel Thing™' and starting in January the X-Line will rocket forward starting with a weekly series that leads into the very cool, refocused, line of books. Yes, it's taken us a little while to get everything assembled correctly, but the end result — everything that's coming after Inferno — is going to be pretty great."

As it happens, EW has been interviewing Hickman and these collaborators — writers Vita Ayala, Gerry Duggan, Al Ewing, Tini Howard, Benjamin Percy, Si Spurrier, Zeb Wells, Leah Williams, and artist Pepe Larraz — about the past two years of radical new X-Men comics. Check that out below; hopefully it will assuage some of the sadness from Hickman's coming departure.


EW:
One of the most popular X-Men characters from recent decades is also one of the most complicated. The mutant telepath Psylocke, a.k.a. Betsy Braddock, started out as the English sister of Brian Braddock, a.k.a Captain Britain. But in 1989, Betsy's mind was transplanted into the body of a Japanese ninja assassin, later established to be a mutant named Kwannon. Despite the complicated situation of a white woman's mind in an Asian woman's body, the resulting character became immensely popular. Psylocke starred not just in X-Men comics, but also video games and even 2016's big-screen blockbuster X-Men: Apocalypse, where she was played by Olivia Munn. Finally, in 2018's Mystery in Madripoor comic by Jim Zub and Thony Silas, both Betsy and Kwannon were returned to their original bodies. But it fell to the new X-writers to reckon with all that baggage, as Betsy took up the mantle of Captain Britain in Excalibur and Kwannon (now taking the name Psylocke in her own right) became the field leader of the Hellions.

TINI HOWARD: That's something that we talked about from the very first X-meeting I was in. Even before we started forming our own stories, we talked about, 'what are some things that are really important to us, some things we want to set up the way they deserve'? One of them was a resolution to that Psylocke situation that wasn't just these two characters fighting until they got along. It was important not just to us creators but to fans, especially Asian fans and all female fans, who felt bothered or hurt by some of the ways that had been handled over its 30 years. Here's this problem that's really tangled and had also become important to people in various ways, so it was really necessary to resolve. This was something I took really seriously, and had my nerves about. But Zeb is incredible as a collaborator, he does such incredible work with Kwannon.

ZEB WELLS: I thought a way I could build off what Tini was doing and honor the character, was to make Kwannon the most compelling character apart from all of that as possible. To show that there was a super interesting tragic character under all of that this whole time.

She gets put into this situation where she has to lead this team and keep an eye on them and become a leader. The goal was to make that as interesting as possible and to make her as defined a character as possible. The Fallen Angels miniseries had taken a great first step, digging into the tragedy of her assassin background. With the brave new world of Krakoa, I thought we had the chance to take all of that together and make a very compelling character.

TINI HOWARD: We just kind of developed these women having these separate fears and thoughts about each other until they could come together. It ends up being extra fun and satisfying because one thing we can do in these books, because we have so many different books going, we can have conversations feel different or look different or include different details. If you read Hellions, you know Kwannon basically had a psychic therapy session where she killed Betsy Braddock a bunch in her mind. I don't think Betsy knows that, I don't think she's supposed to know that. It's not important to her to know that, that was Kwannon's therapy, that was her working through stuff.

Betsy working through stuff was completely different, and she needed Kwannon to help her out of it. It was based on guilt and complicated stuff. Some of that was scary to write, because a lot of it is my own experience being a bumbling white lady. That's an experience I can write about. It's not even like she was being thoughtful about it like 'i'm trying to get out of this,' sometimes you get emotional and you're nervous and you're gonna do something that doesn't make any sense because it brings you some kind of catharsis. No, white lady; get in your portal!

Friday, April 9, 2021

'Reign of X' Brings New X-Men Series

Marvel.com: The latest era in writer Jonathan Hickman’s revolutionary transformation of the X-Men universe is now underway, bringing with it exciting new titles like:

  • Children of the Atom by Vita Ayala and Bernard Chang – on sale now;
  • Way of X by Si Spurrier and Bob Quinn – on sale April 21; and
  • X-Corp by Tini Howard and Alberto Foche – on sale May 12.

And after June’s highly-anticipated franchise-spanning Hellfire Gala, fans can expect even more surprises, including a trio of brand-new series:

  • X-Men by Gerry Duggan and Pepe Larraz – on sale July 2021;
  • Classified (allegedly The Trial) by Leah Williams and Valerio Schiti – on sale August 2021; and
  • Classified by Jonathan Hickman and TBD.

Monday, December 7, 2020

X-Men Monday #86 – Jonathan Hickman & Tini Howard Answer Your X of Swords & Reign of X Questions

AiPT!: It’s always an event when Jonathan Hickman steps through a Krakoan gate to join us here at X-Men Monday, and in true, unpredictable Hickman fashion, he brought along a special guest: fellow X of Swords mastermind and Excalibur writer Tini Howard



AIPT: Jonathan, you’ve used the Captain Britain Corps in stories pre-X of Swords. What do you two like about the Corps and Otherworld the most, and what new addition to their lore are you most excited about moving forward? 

Tini: I love Alan Moore’s story work on Captain Britain so much–that moment where he zooms out from the earlier stuff and makes the national hero trope (which can seem clumsy at times, in general) into a defender of all reality? That’s it for me. I’m excited that I feel like we’ve gotten to do something similar with expanding Otherworld and changing the Corps. The Captain Britain Corps is so fundamentally weird that these sort of inside-out flips of the whole concept don’t feel disrespectful to the original, they feel in line with it. It’s fun. 

Jonathan: Yeah. And as for what it gives us moving forward, the answer is a lot. We actually built each of those Otherworld kingdoms as a separate story engine that feeds into one or more of the other kingdoms. So there’s a progression baked in. And a good bit of that mythology leans toward Tini’s main book and the evolving Captain Britain drama.

Wednesday, November 25, 2020

The Final Chapters – X-Men #15, Excalibur #15 and X of Swords: Destruction #1 Spoilers

X-Men #15: Jean Grey lets Cyclops know that the Quiet Council is ready to receive them, even though Scott knows the Council will deny their request. Jean tells the Council that Cable reached out to her. She emphasizes that Cable is hurt and that Krakoa is at risk. Cyclops adds that Krakoa is losing badly. Scott proposes taking a team of X-Men to Otherworld, rescuing their mutants and destroying the External Gate with the technology of Hordeculture. Jean, Kurt and Kitty volunteer to join Cyclops; however, Shaw points out that If they die in Otherworld, the Council would not survive losing so many members at such a critical moment. Shaw proposes a vote: whoever leaves and joins Cyclops loses their seat at the Council. Albeit disappointed, Jean decides to leave, but she urges Nightcrawler to stay as he is the heart of the Council. Scott tells Kitty she cannot go through the gate, so she stays as well. Cyclops also asks Emma to stay, but she offers him the help of her Cuckoos. Lastly, the Council votes for closing the gates if they are to fail. Scott understands that they cannot put Krakoa at risk for a handful of mutants. A data page reveals that the Quiet Council has decided to extinguish the term “X-Men” and that the Council should be the only Krakoan authority. In Otherworld, Apocalypse and Genesis battle fiercely after she takes off her helm of Annihilation. Apocalypse doesn’t yield and stabs Genesis in the guts, but refuses to kill her. The God Annihilation influences Genesis to put on the helm. As Saturnyne prepares to declare Krakoa the winner, Annihilation summons the demon hordes of Amenth. 

Excalibur #15: As the demons of Amenth storm Otherworld, Ryl retrieves the shattered pieces of Betsy Braddock at Saturnyne’s behest. The Champions of Krakoa are kept busy fighting off the hordes of demons while Annihilations prepares to strike at Apocalypse. Storm stuns Genesis momentarily with lighting. Meanwhile, White Sword decides to leave the battle, for he was summoned for a fight and he won. In the Starlight Citadel, Saturnyne begins putting the pieces of Betsy together, one by one. On the battlefield, the remaining champions fight together, but Bei decides to kidnap Cypher and take him to safety. When all seems lost, Jubilee arrives with the Green Priestesses to help the Krakoans. Jubilee wants her son back; Shogo is still under Saturnyne’s spell in the Citadel, and the Priestesses hush to the Citadel’s defense. Elsewhere, Cypher talks Bei into changing sides and helping the Krakoans. Cypher rejoins the Krakoans while Isca accuses Bei of betraying the Arakkii. Annihilation says she will conquer Avalon and then Krakoa. As Saturnyne completes her ritual by putting the pieces of the Starlight Sword together, a call is sent to every reality. When the Citadel calls, Captain Britain answers. A new Captain Britain Corps is reborn; however, Saturnyne has come to a shocking revelation about them: the new Corps are mostly based on versions of Betsy Braddock. 

X of Swords: Destruction #1: Saturnyne draws the last card, the Wheel of Fortune, and sends her new Captain Britain Corps to fight off the demons and the Arakkii. Brian is pleased to see the army of Betsys. As the Corps gains the upper hand, Annihilation orders War to call their Summoners. The Summoners summon the beasts and monsters of Amenth to the battlefield. Meanwhile, Cyclops and Jean lead an army of X-Men to the Peak, S.W.O.R.D.’s headquarters. With the Cuckoos’ help, Jean reaches out to Magik telepathically, and Scott orders her to teleport the Peak to Otherworld. As the Peak floats above the Starlight Citadel, an army of X-Men head into battle. The X-Men slay a number of monsters and daemons alike, but Annihilation orders the Summoners to summon all of their creatures. Cable is still hurt and being tended to in the Starlight Citadel. Saturnyne reminds him he was dealt the Fool card, as only a fool would think the Light of Galador was a sword. Cable understands her message and asks Magik to teleport him to the Peak. Cable powers the Peak with his sword, and calls forth the Vescora, an alien race that acts like a virus given humanoid form. The Vescora manage to destroy a great number of Arakkii warriors and creatures. Apocalypse takes the opportunity to take the Helm of Annihilation off Genesis’ face. At that point, Isca stops fighting as she knows Arakko cannot win any longer. Apocalypse overcomes the influence of the Helm, kneels before Saturnyne and surrenders in the name of Arakko. It is decided. Saturnyne asks Shogo to breathe dragon fire on all monsters and aliens. Only the Champions of both sides remain. Saturnyne takes the helm off Apocalypse and turns it into a scepter. The scepter now won’t have direct dominion over the wielder. She hands the scepter to Genesis. Saturnyne declares Krakoa the winner and demands a show of good faith: one mutant from each side to leave their own land and live with the enemy. Genesis chooses Apocalypse to live in Amenth. Apocalypse, in turn, chooses the island nation of Arakko, with its millions of inhabitants, to live with Krakoa. As such, Apocalypse leaves with his family to Amenth and the mutants return to Krakoa. A data page reveals that the Captain Britain Corps was restored with the sacrifice of Captain Britain. The Captain Britain of Earth-616, Betsy Braddock, is deemed “missing” and “unaccounted for”. Later, Syl asks her master if she knew the outcome of the tournament; Saturnyne replies some signs were impossible not to see. As it stands, Avalon has now the only gateway to Earth. Summoners and the Vescora were sent to Blightspoke to tame things that refuse to die and mine the riches hidden in dead universes, which she plans to exchange with the Crooked Market to keep Mad Jim Jaspers under control. Meanwhile, the relentless appetite of the undead of Sevalith will be sated by the horseman Death. However, the return of a loyal Captain Britain Corps was the greater purpose of Saturnyne’s machinations. Saturnyne remains the rightful ruler of Otherworld; she won everything she had ever needed, but not the man the truly wanted. Long may she reign.

Wednesday, November 4, 2020

X-Men #14, Chapter 12 & Marauders #14, Chapter 13 – X of Swords Spoilers

X-Men #14, Chapter 12

Genesis invites Apocalypse for a walk to explain what had happened to the Arakki since they had gone their separate ways. Genesis tells the story of Okkara and how it was split by the enemy’s Twilight Sword. Genesis led a great army and defeated many of her enemies. As the demon forces dwindled down, the dark creatures of Amenth asked for a parley and brought the golden helm of their god Annihilation. It was then that Genesis found out that the Amenthi were breeding the Arakki mutants they had captured with their own demons to produce a hybrid warrior race, giving birth to Summoners. Enraged, Genesis fought Annihilation to death and won, but she refused to wear the golden helm. Instead, Genesis was held prisoner for one hundred years as the demon horde cracked the walls of Arakko. Once Genesis learned the mages of Arakko had reopened the chasm, she placed the golden helm on her head and surrendered to Amenth. Genesis tells Apocalypse that Annihilation wants everything, so now she wants everything as well. She wants Krakoa.

Marauders #14, Chapter 13

The Swordbearers of Krakoa and Arakko gather for the first time in the Starlight Citadel as they wait for Saturnyne’s feast, prepared by Mad Jim Jaspers, to be served. The regents of Otherworld realms are also invited. Storm catches the attention of Death, who seems drawn to her, much to War’s dismay. Storm then approaches Wolverine to let him know that she knows what he is thinking, which she seems to approve. Saturnyne then introduces all guests and order them to enjoy the feast before the bloodshed of the following day. Wolverine blames Brian for not sleeping with Saturnyne and save themselves the trouble of the tournament, which pisses Betsy off. Elsewhere, Magik and Gorgon study whether the Swordbearers of Arakko are right or left-handed. Magik and Gorgon earn the respect of Isca. Storm notices Death watching her, and invites him for a dance. As they dance, Storm tells she doesn’t fear or desire death, but she knows death, and this is as close as she will allow it. As the dinner is served, War puts a mysterious powder on Logan’s food without anyone noticing. Wolverine then argues with Saturnyne and stabs her with his claws.

Thursday, October 29, 2020

X-Men #14 – X of Swords, Chapter 12 Preview

X-Men #14
Writer: Jonathan Hickman
Art by: Mahmud Asrar
Cover by: Leinil Francis Yu

The Story:
X of Swords – Chapter 12
The Lovers. A Garden. A chasm of secrets.

In Stores: November 4, 2020


Wednesday, October 28, 2020

X of Swords: Stasis #1, Chapter 11 Spoilers

Spoilers: Saturnyne sends an emissary to all kingdoms of Otherworld inviting their representatives to a parliament. Once all are reunited in the Starlight Citadel – including Roma, Merlyn, Mad Jim Jaspers, Jamie Braddock, the Furies, etc. – most provinces vote against Blightspoke’s request for open border movement between the 10 provinces. Famine and Pestilence claim that the seat that once belonged to Dryador, now belongs to Amenth. Saturnyne warns that they should be concerned with their contest against Avalon first. Jamie Braddock announces that his Champions will be arriving soon. Back in Krakoa, the Swordbearers – Magik, Wolverine, Storm, Cypher, Cable, Captain Britain and Captain Avalon – are joined by Apocalypse and Gorgon, who place their swords on the casting circle. 

A flashback sequence shows how each of the Swordbearers of Arakko were convinced to fight in the tournament and raise their swords at Annihilation’s behest. Summoner and the Horsemen reach out to Redroot the Forest, Pogg Ur-Pogg, Bei the Blood Moon, the White Sword and Isca the Unbeaten. They are joined by Solem, Death and War. The Champions of Arakko are now assembled. 

Back to the present, the Champions of Krakoa are teleported to the Starlight Citadel. Brian warns them to beware of Saturnyne’s little games while Apocalypse asks for their patience. Saturnyne welcomes them and Betsy demands to know what are her rules. Saturnyne sends them to their chambers to freshen up as they will meet their fellow combatants during the feast. Saturnyne has placed a tarot card for each Champion in their bedchambers: 

Captain Britain – Nine of Swords;
Cypher – Two of Cups;
Gorgon – A hidden card;
Captain Avalon – Knight of Pentacles;
Magik – Page of Wands;
Cable – The Fool;
Wolverine – Strength;
Storm – Death;
Apocalypse – The Lovers.

Apocalypse is greatly upset about what he sees in the card and demands an explanation from Saturnyne as he has had enough of her games. Saturnyne taunts Apocalypse and says he’s too old to be that impatient. Saturnyne then leads Apocalypse to a secret chamber where Annihilation is waiting. Annihilation reveals herself as Genesis, Apocalypse’s long-lost wife, now wearing the golden helm of Amenth. The Lovers face each other again.

Thursday, October 22, 2020

X of Swords: Stasis #1, Chapter 11 Preview

X of Swords: Stasis #1
Writer: Jonathan Hickman & Tini Howard
Art by: Pepe Larraz, Mahmud Asrar
Cover by: Pepe Larraz
Design Variant Cover by: Pepe Larraz
Variant Cover by: Coax
Variant Cover by: Mike Del Mundo
Variant Cover by: Humberto Ramos
Variant Cover by: Jesus Saiz

The Story:
X of Swords – Chapter 11
A ritual. A parliament. A game begins.

In Stores: October 28, 2020


Wednesday, October 21, 2020

Excalibur #13, Chapter 9 & X-Men #13, Chapter 10 – X of Swords Spoilers


Excalibur #13, Chapter 9

Spoilers: Captain Britain welcomes Brian and Jamie at the Starlight Citadel at Saturnyne’s behest. Brian offers Betsy the Sword of Might as it was named in the prophecy, much to Betsy’s dismay. Betsy is upset with Brian for treating her Captain Britain’s tenure as simply a favor to him. Betsy thinks that if he wanted the Amulet of Right back, he should have asked her. Saturnyne makes her entrance and takes the Braddocks to the Memorial Garden, in honor of the fallen Captain Britain Corps. Betsy reminds her that there is a Captain Britain Corps. Saturnyne dismisses her remark as she doesn’t acknowledge the rogue Captains Britain created by Jamie. Betsy brings up the Starlight Sword and Saturnyne orders her to leave as she thinks Betsy is not meant for the mantle. Brian follows Betsy, and the two argue again over the Sword of Might. Brian explains that he doesn’t want to draw the Sword in anger for a cause he doesn’t recognize and that he didn’t expect Betsy to be Captain Britain for the long term. Betsy is furious because he had not even considered that she maybe would want to. As the night falls down, Jamie’s rogue Captains Britain – Rogue, Gambit, Rictor and Jubilee – freed themselves and attack him in his dorms. Betsy and Brian overhear the fuss and run towards Jamie’s room. Jamie overwhelms all four of them and decides to kill Jubilee to make a statement. Betsy urges Brian to draw the Sword of Might, but he refuses. When Gambit throws his cards at Jamie, Brian defends his brother with the sword. As the scabbard burns down, Brian finally claims the Sword of Might and dons a new costume, becoming Captain Avalon, a hero destined to protected the Kingdom of Avalon and the Braddock family. Saturnyne storms her way into the room and orders all fraudulent Captains Britain arrested, including Betsy. Before Saturnyne can retrieve her Amulet of Right, Betsy unleashes her psychic powers and destroys the talisman. As the rogue Captains are taken to the Citadel’s cells, Saturnyne invites Brian to her bedchamber. All alone in her cell, Betsy decides to lead by example instead of twisting minds and sneaking off. She reaches out for the other Captains, and assures Gambit that she will come back for them. Jamie telepathically asks Betsy to jump out of the window and rescues her riding on his Griffin. In Saturnyne’s bedchambers, the Majestrix draws the Starlight Sword from her scrying pool, a blade forged from the Citadel’s very walls. Saturnyne urges Brian to claim the Starlight Sword and become her Captain Britain. As Brian seduces Saturnyne, Betsy and Jamie sneak into her room. Brian asks Betsy to claim the sword, and so she does, becoming Captain Britain again. Saturnyne realizes she has been fooled by the siblings as she did not expect Brian to find his purpose with the Sword and Might and the Braddocks to choose for themselves. Betsy chastises Saturnyne for attempting to tear them apart with her prophecy. Betsy Braddock – Captain Britain – and Brian Braddock – Captain Avalon – return to Krakoa standing tall and proud and place their respective swords on the casting circle. 


X-Men #13, Chapter 10

Spoilers: In Krakoa’s Healing Gardens, Apocalypse’s wounds are tended to by Healer, Cecilia Reyes and Beast. Xavier suggests that Hope enhances Healer’s powers to fast-track the process while Polaris restrains Apocalypse’s body. In the meantime, Apocalypse tells the story of Okkara and how it was split by the enemy’s Twilight Sword. Apocalypse tells of Genesis, his wife, who led a great army and defeated many of her enemies. As the demon forces dwindled down, the dark creatures of Amenth asked for a parley and brought the golden helm of their god Annihilation; it is said that whoever wears the mask rules over Amenth but, in turn, is possessed by the primordial elder god. Through their god, the demons proposed to offer something to the Arakki mutants. As Isca, Genesis’ sister, had betrayed them and sided with the demons, Genesis decided to lead the Arakki into the breach and urged Apocalypse to find others, the fittest, to stand against their enemy. Once Apocalypse is healed, the travels to Egypt and heads to the Temple of the Horsemen, where he retrieves his Scarab sword.

Wednesday, September 23, 2020

X of Swords: Creation #1 Spoilers

Spoilers: The four Horsemen march towards the Starlight Citadel on their way to Krakoa. Otherworld is the intermediate point between Arakko and Krakoa, their final destination. In the meantime, the Horsemen conquer the Otherworldly Kingdom of Del Di’Lorr, ruled by Dryador. King Dryador sends a messenger to Starlight Citadel in order to warn Saturnyne; however, Pestilence shoots an arrow at the Messenger. Upon arriving at the Citadel, the messenger spreads the disease and dies after warning Saturnyne that Arakko has fallen. Saturnyne decides to draw tarot cards with the aid of her servants. The events of the Free Comic Book Day issue follow, and Saturnyne pulls the cards of Judgment, the Four of Wands, the Hanged Man, the Eight of Cups and the Ten of Swords. 

The Summoner returns to Krakoa through the External Gate with an injured Banshee. Rachel takes Banshee to the healing gardens under Healer’s supervision. The Summoner tells Apocalypse that they were ambushed and Unus was captured. Apocalypse has Summoner retell these events before the Quiet Council and asks for help to free Arakko from its daemons invaders. Most of the Quiet Council vote for the destruction of the External Portal; however, Krakoa itself requires the Gate to stay open as it longs to be reconnected with Arakko. Apocalypse and Summoner look for volunteers to rescue Unus and are joined by Polaris, Havok, Archangel, Beast, Rictor, Siryn and Monet. 

At the Healing Gardens, Rachel feels something is off and decides to read Banshee’s memories with the help of Cable. The volunteers walk through the External Gate and face an army of daemons attacking the Starlight Citadel. Apocalypse tears up at the sight of his children, the four Horsemen. Children and father are reunited; however, War drives her spear through Apocalypse’s chest while Summoner stabs him in the back. 

Meanwhile, Rachel and Cable pierce through the illusion in Banshee’s mind and find out the Summoner had betrayed Banshee and Unus. Through Sean’s memories, they reach out to Saturnyne, who warns them that if they really want to win, they’d better start looking for a lost item. Rachel sends Cable after Jean and Scott to retrieve such item. 

Back at Otherworld, Saturnyne watches the battle between the Horseman and their daemons and the X-Men, who she believes to be the representatives of the Hanged Man card. At the battlefield, the Summoner mocks Rockslide and slices his body in half while Pestilence kills Rictor with an arrow. Archangel, Beast and Siryn take the corpses of their fallen friends back to Krakoa while Havok, Polaris and Monet stay behind to defend the External Gate. 

Cable uses the gateway to the Summer House on the moon and shares Saturnyne’s message with Jean and Scott. Cyclops realizes he knows where to find the lost item, an orb-like device. Cyclops, Jean and Cable arrive at an abandoned S.W.O.R.D. station where they find the orb, which is offline. Cable pulls out his sword and use it a power source. 

Polaris, Havok and Monet hold off the hordes of daemons as much as they can. Monet asks for Saturnyne’s help, but the Majestrix refuses to take sides. Polaris uses her magnetic powers to bring the Starlight Citadel down. Saturnyne takes a stand and freezes all warriors on the battlefield. The Majestrix turns Death into a child and asks what he wants. Death reveals they wants access to the portal to conquer Krakoa. Saturnyne proposes they fight abiding by the rules of Otherworld: in three days’ time they shall return with their chosen champions of Arakko to fight the champions of Otherworld. Polaris, Havok and Monet realize they don’t have much of a choice and accept to pick their mutant champions of Otherworld. Saturnyne expects the mutant champions to raise ten swords: Muramasa, the Sword of Might, the Starlight Sword, Grascutter, Godkiller, Warlock, the Soul Sword, the Scarab, the Light of Galador and Skybreaker. 

Note: Betsy doesn’t appear in this issue, but it’s likely that she will be the one to raise the Starlight Sword, and not her usual psychic sword. 

Note: A datapage reveals the hierarchy of Otherworld kingdoms. In addition to Saturnyne ruling the Starlight Citadel and Jamie Braddock ruling Avalon, other key Excalibur characters have their own kingdoms, including Roma, Merlyn, the Fury and Mad Jim Jaspers.

Thursday, September 17, 2020

X of Swords: Creation #1 Preview

X of Swords: Creation #1
Jonathan Hickman
& Tini Howard (W) • Pepe Larraz (A)
C
over by: Pepe Larraz
Variant Cover by: Miguel Mercado
Design Variant Cover by: Pepe Larraz
Launch Variant Cover by: Russell Dauterman
Premiere Variant Cover by: Pepe Larraz
Wraparound Variant Cover by: Mark Brooks
Black and White Wraparound Variant Cover by: Mark Brooks

The Story:
X of Swords – Chapter 1
A tower. A mission. A gathering of armies.

In Stores: September 23, 2020

Wednesday, July 15, 2020

Free Comic Book Day Vol 2020 X-Men #1 Spoilers & Art

Spoilers: Another time and another place, four mysterious beings use portals to transport mutants around the world – or indeed the galaxy. They resemble Egyptian gods and Greek myth and conjure their own sigils. They say that the death of a star is a small price to pay for the favor of Saturnyne.

Meanwhile in Otherworld, Saturyne draws the tarot. Her predecessors Merlin and Roma preferred to play chess. She deals the cards:
        • Judgment – Apocalypse staring into the abyss together with the High Summoner.
        • Four of Wands – The original four Horsemen of Apocalypse.
        • The Hanged Man  – Apocalypse, Beast, Havok, Rictor, Glob, Trinary, Banshee, Archangel and Polaris.
        • Eight of Cups – A mysterious woman.
        • Ten of Swords – Apocalypse, Cable, Wolverine, Magik and Captain Britain (Betsy Braddock). The shadowy figures might be Gorgon, Storm, Cypher, Magneto and Scalphunter.







Friday, May 15, 2020

X-Men First Look: 'X of Swords'


X of Swords: Creation #1
Writer: Jonathan Hickman & Tini Howard
Art by: Pepe Larraz
In Stores: September 2020

Friday, February 28, 2020

Jonathan Hickman's Next X-Men Crossover Is 15-Part Mystical 'X Of Swords' Series


SyFyWire: After fan-favorite X-Men writer Jonathan Hickman mutated the comic series into two killer tales, House of X and Powers of X, he kicked off a whole new world for the ever-growing band of mutantkind in the Marvel comic world. Now, with some new books - like Giant-Size X-Men - flowing from his pen after the Dawn of X broke, the author's X-focused panel at C2E2 2020 broke down the future of mutantkind - manifesting as the next step in Hickman's grand X-plan: X of Swords.

The panel - which also featured Editor-in-Chief C.B. Cebulski, Senior Editor Jordan D. White, and other X-men creators like Gerry Duggan, Tini Howard, Benjamin Percy, Vita Ayala, and Leah Williams - touched on plenty of other X-stories and their gorgeous covers, but Swords was the big draw.

The crossover storyline, which will affect the entire X-Men line, follows in the wordplay (letterplay?) tradition of Hickman's previous series, with another meaning referring to the Ten of Swords tarot card that symbolizes a destructive situation pinning down the subject - something that could be quite potent for a team of mutant superheroes.

The 15-part crossover led by Head of X Jonathan Hickman will show how ten mutants become the heroes that must defend their home of Krakoa. Armed with swords from all over the Marvel universe - past and present - they fight, slice, and stab towards mutantkind's ultimate, mystical destiny as this series looks to inform the future of the X-Men line at large.

In X of Swords, mutanddom society will be threatened “by powerful forces from the unknown,” according to a Marvel press release, and “ten mutants will rise up to defend their home. Arming themselves with legendary blades, both new and familiar ones from Marvel history, mutantkind will finally meet its mystical destiny.” Hickman will writing the “tentpoles” of the series alongside Exalibur scribe Tini Howard. Excalibur being both the current X-Men line’s magic-focused book, and the name of a legendary sword.

Wednesday, July 24, 2019

House of X #1 Spoilers

Spoilers: Issue opens at an unrevealed time. We see a large krakoa tree in an unknown location. X is there watching as what appear to be mutants are birthed from pods on the tree. One looks up at him with an eye that gleams red. “To me, my X-Men,” he says.Next we see a sequence of panels showing the X-Men taking small krakoa seedlings and planting them in various locations. Westchester, the Savage Land, the Blue Area of the moon, Mars, Washington DC, and Jerusalem. Each of these locations becomes a habitat, connected to Krakoa by portals that only allow mutants through. A group of delegates arrives at the Jerusalem Habitat. They’re there because Xavier has offered the world three gifts... medicine created from krakoan flowers. One extends the human lifespan by five years. Next is a universal antibiotic. The third helps cure mental illness. He will give these gifts only to nations who recognize the sovereignty of the nation of Krakoa. The delegates have come from different countries to discuss this deal with Xavier. The delegates are greeted by a pair of Cuckoos who take them on a tour of the habitat, and through portal to the greater Krakoan ecosystem. They bring the delegates not to Xavier, but to Magneto. Meanwhile we learn about an organization called Orchis. It’s made up of parts of S.H.I.E.L.D., S.T.R.I.K.E., S.W.O.R.D., Alpha Flight, H.A.M.M.E.R., A.R.M.O.R., AIM, and Hydra. It’s a defense protocol enacted by humanity. We learn that humanity has 20 years left before being replaced by mutantkind. The Genoshan Genocide slowed down the rise of mutantkind just enough to buy humanity this little bit of time. The scientists of Orchis are working with Karima, and it seems they’re building a new Master Mold in their base called The Forge, which orbits the sun. Next we see Mystique, Toad, and Sabertooth stealing data from a Damage Control facility in NY. We learn that Damage Control, in addition to cleaning up damage from superhero battles and the like, also becomes caretaker of advanced technology whose ownership is uncertain. So, when Tony Stark was recently believed to be dead, and Reed Richards was off world for a time, Damage Control took possession of some of their technology. Sabertooth has mauled a few guards, and the alarms are going off, so Mystique is pushing for them to get out. Toad confirms his download is complete and the three of them head out. They get outside only to find Human Torch and Thing waiting for them. Sabertooth tries to hold them off, but gets clobbered pretty good. Mystique and Toad manage to escape through a Krakoa portal in Washington Square Park. Creed tried to follow, but it caught inside a forcefield. Reed and Sue have arrived and they’ve caught him. Cyclops emerges from the portal and he makes small talk with the FF. He congratulates Ben on his marriage. Then he says he’ll take Creed off their hands. Reed asks why. Cyclops says that’s how amnesty works and that “new beginnings demand a wide berth”. The FF ask him about what he and the X-Men are doing. He says he’s done being told he’s less when he knows he’s more. And that he believes in what Xavier is doing. He decides to leave Creed with them and says they’ll work it out in some other way. Then he tells Reed and Sue to greet their son for him and to let him know that when he’s ready, he has family on Krakoa waiting for him. Final scene is back in Jerusalem, where Magneto asks the Cuckoos to advise what they’ve learned. The girls explain that each of the “delegates” are actually plants. They’ve not been sent to actually negotiate anything, necessarily, but instead are there to observe and report back to their masters. Magneto tells them that’s exactly what they’ll do. That they need to “accept the finality of your situation and the inevitability of ours”. One of the delegates asks why he chose the Jerusalem habitat to meet with them, and the issue closes with Magneto explaining that he knows how important religion is to mankind...and how important symbolism is to them. “I wanted you...I needed you...to understand....You have new gods now.”

Notes: Psylocke doesn't appear in this issue, but we should keep an eye on the following:


1. Jamie Braddock was identified as one of fourteen known Omega-Level Mutants. He has taken up the codename Monarch.

2. S.T.R.I.K.E. seems to be a major player going forward. One of the human delegates visiting the Krakoa habitats is a S.T.R.I.K.E. agent called Walter Reppion. One should note that Vicki Reppion was a member of S.T.R.I.K.E.'s Psi Division along with Betsy Braddock during Alan Moore's run on Captain Britain. She was utimately killed by Slaymaster. There may be a connection there.


Walter Reppion in House of X #1 / Vicki Reppion in Daredevils #3

Monday, July 22, 2019

Hickman's X-Men Overhaul Introduces a New Psylocke and Captain Britain


CBR: During Marvel's Next Big Thing panel at Comic-Con International in San Diego, C.B. Cebulski and Johnathan Hickman had quite a bit to reveal about the publisher's new line of X-Men comics.

Among the biggest reveals was the news that Betsy Braddock will trade in her Psylocke mantle to become the new Captain Britain. Meanwhile, Kwannon will be taking on the role of Psylocke.

Cebulski compared Betsy's transition to Carol Danvers taking on the mantle of Captain Marvel in Kelly Sue DeConnick's 2012 Captain Marvel run. Betsy's brother, Brian Braddock has long been the name associated with the Captain Britain moniker but once the new Excalibur series drops, it's Betsy who will take the name.

The Excalibur series has strong ties to the Captain Britain title as it was Brian who was on the team in earlier years. Just recently, Braddock and his wife, Meggan (also an Excalibur alum) were a part of an Excalibur reunion of sorts in Leah Williams and Alitha Martinez's X-Men Gold Annual #1.

It's worth noting that Betsy briefly held the Captain Britain mantle before, but there is no indication regarding how the transition occurs this time.

Kwannon, on the other hand, is the Japanese woman with whom Betsy swapped minds with back in Uncanny X-Men #256. The character reemerged to the scene when Betsy got her old body back and most recently, she's been seen in writer Matthew Rosenberg's Uncanny X-Men run.

Written by Tini Howard and drawn by Marcus To, Excalibur #1 hits shelves on October 2019. Kwannon, on the other hand, will appear as Psylocke in Fallen Angels #1. Written by Bryan Edward Hill and drawn by Szymon Kudranski, Fallen Angels #1 hits stores in November 2019.

Friday, July 19, 2019

House of X #1 Preview, Jonathan Hickman Reinvents Marvel's X-Men

House of X #1 (of 6)
Written by: Jonathan Hickman
Art by: Pepe Larraz
Colors by: Marte Gracia
Cover by: Pepe Larraz

The Story:
Face The Future
Superstar writer Jonathan Hickman (Secret Wars, Avengers, Fantastic Four) takes the reins of the X-Men universe! Since the release of Uncanny X-Men #1, there have been four seminal moments in the history of the X-Men. Giant-Sized X-Men. X-Men. Age of Apocalypse. New X-Men. Four iconic series that introduced a new era for Marvel’s mutants and revolutionized the X-Men. In House of X, Charles Xavier reveals his master plan for mutantkind…one that will bring mutants out of the shadow of mankind and into the light once more.

In Stores: July 24, 2019 


EW.com: The X-Men movie franchise reached its end earlier this year with Dark Phoenix, but a new era for X-Men comics is about to begin. Jonathan Hickman, the renowned writer who reinvigorated the Fantastic Four and the Avengers before bringing the entire Marvel Universe to the brink of collapse in 2015’s Secret Wars event series (while introducing characters who would go on to populate Avengers: Infinity War and Endgame), has a “multiyear plan” to restore the X-Men to their place of prominence at Marvel.

“You don’t want to do archaeology or nostalgia tropes,” Hickman tells EW ahead of his three programs at San Diego Comic-Con this weekend. “My job is to do new stuff with it, and launch us into a newer age of X-Men.”

It all starts this month, with two six-issue miniseries: House of X (illustrated by Pepe Larraz) and Powers of X (illustrated by R.B. Silva). According to Hickman, the former is set in the present, “inside the most pivotal period of time in the Marvel Universe,” while Powers of X looks at “mutants throughout the history of the Marvel Universe.” Big things are coming, but Hickman’s lifelong X-fandom has prepared him for the task.

“This is something I’ve been writing and rewriting in my head since I was a kid,” he says. “I’ve been in the kitchen for a long time with it. I get the ingredients, I get what makes a good meal.”

Longtime Hickman readers know that he loves to tell a single story across multiple comics at once, as he did with Avengers and Secret Avengers in the lead-up to Secret Wars. House of X and Powers of X will function similarly, with one issue a week from either series until they wrap up in the fall. That’s when the next stage of the plan begins, because the House of X/Powers of X conclusion will result in a massive relaunch of Marvel’s entire line of X-comics.

Fans can expect more information about what that will look like to be unveiled at Comic-Con. But in true Hickman style, it will involve massive plot machinations. As Hickman tells it, the massive, multiyear mega-stories he’s become famous for are all about playing to Marvel’s strengths.

“I have some general philosophies on what kind of work you should do at Marvel, that I try and adhere to. I think the stories should be big,” Hickman says. “Any time you can mine your continuity and the existing continuity of the company in a way that evokes a response from audience and not confusion, that’s powerful, and you’re crazy not to utilize it when you’re writing these books. The cardinal rule beyond that is at the end of the day, after you’ve torn up the playroom and scattered all the toys, you put everything all back on the shelf. Don’t be an a—hole and leave a mess.”

He adds, “You want to tell stories that matter, but the way you write things that matter in Marvel is that you’re not destructive, you’re additive. Yes, I may do things where I destroy the entire Marvel Universe, but I always put it back together, and in putting it together you add to it in a way that puts the characters in an interesting place and you haven’t ruined anybody else’s job.”

Though Hickman has only been writing comics for about a decade now, some of his concepts have already appeared on the big screen. The Black Order, originally introduced in his 2013 Infinity miniseries, changed their names to the Children of Thanos for the Infinity War film but arrived on the screen mostly intact. Internet rumors abound that Black Panther 2 might introduce Namor the Sub-Mariner as an antagonist; if true, such a development will owe a lot to the ways Hickman built up the relationship with those two characters over the course of his Secret Avengers comic.

Now that the Disney-Fox deal has officially cleared, it’s only a matter of time until Marvel Studios introduces the X-Men to the Marvel Cinematic Universe. Might Hickman have as much of an impact on those as he’s had on recent Avengers movies? It’s not something he thinks about.

“I think one of the big mistakes that some people make at Marvel Comics is that we are reactive to what they’re doing in the Marvel films,” Hickman says. “We should not be taking our creative cues from the direction they’re taking things in the movies. That kind of defeats the point. They have a billion dollars to play with, and we don’t. You can’t compete in that matter, and you shouldn’t. My argument has been [that] I should always be way out in front of that stuff. All of that stuff is being drawn from source material. It goes back to, are you being destructive or are you being additive? If you’re being additive and you’re on the big books, it’s inevitable that some of that stuff is going to get used. When Marvel films gets around to the X-Men and we’ve done interesting stuff and they want to use it, that’s awesome. If they don’t, then they don’t. One makes your job expendable, the other one makes you priceless. I like having value to my work.”

House of X #1 hits stores July 24, with Powers of X #1 following on July 31.


Marvel’s Next Big Thing Panel
San Diego Comic -on - Room 6A
Saturday, July 20th, 1:45pm PST
DAWN OF X


X-MEN
MARAUDERS
EXCALIBUR
X-FORCE
NEW MUTANTS
FALLEN ANGELS

Wednesday, May 22, 2019

Jonathan Hickman Peels Back the Curtain on His X-Men Run

CBR: The month of July marks the release of House of X and Powers of X, two series which kick off writer Jonathan Hickman's upcoming tenure on Marvel's X-Men. Illustrated by artists Pepe Larraz and R.B. Silva, respectively, the pair of six-issue miniseries will eventually lead to an all-new era for Marvel's merry mutants under Hickman's guidance. CBR spoke with Hickman about House of X and Powers of X to find out more about the mysterious series.


CBR: In your interview last week, you mentioned when you were pitching ideas for the X-Men, you thought about what the X-Men line needed. Specifically, what do you think has been missing from the line over the last several years?

Jonathan Hickman: Well, that's a super loaded question.

I can assure you that what hasn't been missing is talent. A lot of very good creators have worked on these books, and in the previous decade I was at Marvel, many of them were good friends of mine. You can certainly make the argument that when Bendis was writing the books he was doing interesting stuff and was working with a murderer's row of artist -- I honestly can't remember when the X-line has looked better than that. But I remember the day he quit those books, and why, and it's important to keep in mind that a lot of this job of ours is alchemy, not chemistry.

Sometimes the company's interests lie in other places. Sometimes your timing is bad and the market conspires against you. Sometimes the real world gets in the way of how a story is perceived. Sometimes competitors knock one out of the park and eat all the oxygen in the room. These are things it takes a colossal amount of effort, time, and money to control.

There, of course, are factors you can control, and one I think about a lot is value.

I don't know if you've been paying attention to what Tomm Coker and I have been doing over at Image on The Black Monday Murders, but we started experimenting with larger issues at a higher price point. We'd do an issue with 30 pages of comic art and 20-30 pages of data that supports the story and what we found was 1.) it provided a much denser read -- there was way more meat on the bone compared to a normal monthly comic, and 2.) because all the data was interspersed throughout the book it had an asymmetrical read that changed the normal monthly comic reading rhythms.

And by that last bit I mean that if you are reading a 20 page comic, you know what's happening on page 19. You've consumed enough pop culture that you're not going to really be surprised when you turn that page. I mean, you might be, but you certainly saw something coming. Doing the books the other way changes all of that. The reader gets lost in the dueling sections. It's really interesting.

Anyway, I bring that up because it's what we're doing with House of X and Powers of X. I know for the first issues of both the solicits say 40 pages / $5.99 but that's incorrect. The books are bigger than that because if we can provide good value, then it increases our odds the book will be judged solely on 'is it good?' And that's a challenge we're eager to undertake.

Oh, I should also probably note that we're working with designer Tom Muller on the data pages. Very excited about that. Muller's got some serious game.

Let's go back a few months to the Mark Brooks promo art for House of X and Powers of X. It contained a good number of recognizable mutants, both heroes and villains, but a few new ones stand out. Most notably, there are two characters -- a man and woman -- who appear to be combinations of different X-Men characters all merged together.

The woman has metallic skin like Colossus, is holding Magik's Soulsword and has pigtails like Dani Moonstar. The man has Nightcrawler's body, but red skin. Both appear on the cover of Powers of X #1. Can you shed some insight into what is taking place with these characters? Are we interpreting things correctly by assuming those are familiar X-Men who have undergone some radical changes, or are they all-new characters?

JH: I feel like you're using the royal 'we' there, and I'm not sure how down I am with your aristocratic bent.

I will tell you that 'we' are not telling an Alt-Universe story.

The House of X art also shows the revived Charles Xavier, presumably from Charles Soule's run on Astonishing X-Men, alongside Cyclops, Marvel Girl (Jean Grey), Magneto and Wolverine. Their costumes come from different eras of X-Men history, especially Jean Grey's -- are we looking at Xavier plucking X-Men from different eras for his master plan for mutantkind, or do they simply signify the five most recognizable figures in the X-Men franchise?

JH: I'm not telling a story that deals with time travel.

The plant-like object they're stepping through on the HOX #1 cover is also seen in some of the interior preview pages. For example, we see Jean walking through it with a group of young mutants. There is also a significant amount of plant life on the POX #2 cover. Without going too heavily into spoilers, what can you tell us about this? Is Krakoa a member of your X-Men team?

JH: Okay, so this is the third question in a row that I'm ducking because I'm just not going to spoil the story for everyone who's looking forward to reading it.

Back in the day I absolutely would have, I think. When I first started doing this I honestly wouldn't shut up. I wanted to talk about 'my process', and what I hoped to accomplish in an issue, and then when the book came out I wanted to point out what everything meant just to make sure the reader knew exactly how clever I was. It was awful.

I remember I was at a show and a fan came up to me and told me about this elaborate theory they had about what I had meant in an issue of, I dunno, I think it was Fantastic Four. Anyway, I remember how crushed this person was when I told them that their theory was wrong and why. I mean, this dude was wrecked, and all I could think was, 'Why did I do that?'

Because I remember when I was kid, I used to do the same thing, I'd read the book and imagine where the story went, or what happened to that side character, or what the author was really talking about. And I think that's something we've lost in the intersection of 'behind the scenes' and 'community opinion.'

So I don't do that anymore. I feel like it's my job to tell the story. Then I give that story to you. And after that, whether you love it or hate it, my sole job is not screwing up that experience for you. Because it's yours.

Anyway, that's how you duck a question.

Have you come across any X-Men in your writing that have turned out to be far more intriguing to work on than you originally thought? And can we expect to be introduced to a lot of new mutants during the dual miniseries, or just a few?

JH: Generally, I don't like to make up a bunch of new characters when I take over a book at Marvel. Sure, there are times when a story I'm telling needs a certain something and I have to, but for the most part, I kind of want to write the pre-existing characters.

That's especially true with X-Men because there are already so many of them and, well, I've waited my whole life to write Goldballs.

We now know the current X-Men line will end right before HOX and POX launch. How closely did you work with Marvel to synchronize the ending points for books like Uncanny X-Men, Age of X-Man, etc.? Were there any notes provided to the creative teams on where you needed characters like Cyclops, Wolverine, etc. to be before HOX and POX kick off?

JH: When the decision was made that everything was going to wrap before we did House of X and Powers of X, the big question was what to do with the books leading up to July. Leaving the schedule open was never a serious consideration as, you know, Marvel prides themselves on their editors having a job to do and the company actually publishing comics. So, after some back-and-forth, knowing what I had planned, Jordan and the writers put together a mix of very intriguing stories and series, and outside of a few extremely minor things, no one was given story beats to hit, or departure points, and I personally didn't give anyone notes. Both House of X and Powers of X start in a really clean place. So those lead-up books had a very particular mandate, which was basically, ‘just go nuts, swing away, and knock it out of the park.'

I do want to add that I am a little disappointed that some people are saying the work that's been done -- that the stories that have been told -- don't matter because I'm doing my thing after that. Personally, I think what matters when you buy a book, or say, see a movie, is did you enjoy it? If the answer is yes, then it was worth it. If the answers no, then it wasn't worth it.

That might be facile, but it's how I feel.

As someone who was very pleased to see you bring Cannonball and Sunspot into the Avengers fold during your popular run, can we look forward to you bringing them home now that you'll be working on the X-Men?

JH: I won't be bringing them home.